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Hidemi Woods 

Singer, Songwriter and Author from Kyoto, Japan.

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The New Song Completed, Again hr598

After a one-year-long struggle with mastering, I completed my new song and got to open Moet Chandon. I took a long summer vacation for the first time since I became a musician. Then I got down to post production, starting with mastering the instrumental track of the new song. The instrumental track isn’t important, it’s a kind of an incidental that is prepared just in case. I was going to take it easy and get it over quickly. That approach of mine led casual settings for the effects and their readings. I tried an experimental setting that I had never applied on the master track since I knew it would go overboard. While it was easy to imagine that the resultant track would be bad, I just did it for some sort of fun. The most difficult part of mastering is to boost volume. To get the song to its adequate volume, I spent an unbelievable amount of time sending the master track into the effects repeatedly by which the volume got bigger little by little. But as for this instrumental track, the volume got magically big on the first try of my experimental setting. I couldn’t believe my eyes when I saw the track’s fat audio wave. In a case like this, I knew too well that its sound would be crushed and terrible. I listened to the track and I couldn’t believe my ears either. The new instrumental track sounded better than the finished master track. I tried to grasp what was going on. The only explanation I could find was that this was the instrumental track without main vocals. The track with main vocals can be another matter altogether because vocals tend to complicate effects’ settings. The settings that work for the instrumental track don’t necessarily work for the one with vocals. The problem here was though, that I was assaulted by an urge to try these settings on the master track. I battled with the urge by asking to myself: Haven’t I declared the song’s completion? Am I redoing all over again? What if I bog down into that notorious endless mastering loop again? Am I really willing to repeat that struggle? Do I prolong this project even more? Although I did my best and tried the limits of my abilities for the new song, I couldn’t deny that there were some aspects I had to give in. It sounded slightly different from what I really wanted, but I couldn’t find the way no matter how many times I tried. What if these new settings were the solution? If I wanted the song to be perfect, wouldn’t it be worth a try? The urge prevailed. I redid the mastering with the settings that happened to be found for the instrumental track. It worked. On one try, the song turned into exactly what I had been searching for. I had no other way than replacing the version I had completed with a one-year-long struggle with this new version completed in a few minutes. I felt rather chilled than happy. I experienced the inexplicable. The very thing I had struggled to get over one year was found totally accidentally, ridiculously easily. It was as if the date for the song’s completion had been fixed long since. The song has been completed surely this time, but I had already finished Moet and had nothing to celebrate with. I was too embarrassed to tell my partner who works as the producer this course of events. I didn’t have the nerve to tell someone who had waited for the song with enormous patience during the one-year-long mastering that I changed the master track to the one I just finished in a matter of minutes. I hesitated but eventually confessed. Sometimes, taking time doesn’t mean the best result. I still feel that someone else was mastering the song in place of me while I was taking a summer vacation as a reward for having done my best for one year. Music can be after all what is given, not what one makes…

 

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